Vincent Zanni, a visual artist born in 1995 in Geneva, Switzerland, explores the intricate relationship between humans and the natural world through his labor-intensive, analog photographic practice. His work often incorporates organic materials and traditional techniques, such as cyanotypes and wet-plate photography, emphasizing the materiality and process behind each creation.
In his most recent body of work, The Blue Cedar Project, Zanni delves into the connection between memory, family heritage, and the resilience of nature. The project centers around a Blue Cedar tree that has stood for generations in his family’s garden. By transforming fallen branches from this tree into charcoal pigment, Zanni not only documents the tree but also integrates its physical presence into his work, blurring the lines between subject and medium. This approach highlights the interdependence between humans and the natural environment, reflecting on the ways in which nature preserves personal histories.
Through his experimental approach in the darkroom and the exploration of family archives, Zanni strives to contribute to the ongoing dialogue on the transformative potential of photography in our contemporary society. By pushing the boundaries of conventional practices and embracing the materiality and transience of the photograph, he aspires to foster conversations about the relationship between images, memories, and the evolving fabric of our lives.
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